Camuflagem

by Evilásio

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1.
2.
3.
4.
5.
Peckamiano 02:29
6.
Absconditus 03:29
7.
8.
9.
10.
Liu Bolin 03:59

about

2020
Camuflagem

Camuflagem é um recurso resultante da a‹o da seleção natural usado por várias espécies para se protegerem.

Camouflage is a resource resulting from the action of natural selection used by various species to protect themselves.

LADO A
01 - Natural Selection
02 - Maskenfreiheit
03 - Homocromia-Homotipia
04 - Uroplatus phantasticus
05 - Peckhaminano


LADO B

06 - et commuta habitum
07 - Jiquitiranab—ia
08 - Batesiano-Mulleriano
09 - Abscôndito
10 - Liu Bolin

credits

released January 16, 2021

I am a Brazilian, doctor in physics, who plays drums since 14 years old. I had some rock bands in the 90s and 2000s. But I have been doing experimental/minimalist/freejazz music since 2010, playing with several musicians or playing alone other instruments. I have 12 albums recorded, some of which were released on some independent labels such as:
Plataforma Records
archive.org/details/PLATARECS113
archive.org/details/PLATARECS123
archive.org/details/PLATARECS170
Al Sand REC
alsand-rec.bandcamp.com/album/asr34-ao-vivo-jazz-no-hope
alsand-rec.bandcamp.com/album/asr38-sessions-ambiences
MuteAnt Sounds (Net Label)
muteantsoundsnetlabel.bandcamp.com/album/euphoria

"Camuflagem" is my 13th album. Like all my works, this album expresses a phase of my life. This time, I tried to covertly express my desire to hide to protect myself from mobbing at my job, at a Federal University of Brazil. One performance was recorded at once time and then each theme was edited separately in an attempt that each song could be played indefinitely in loop. The beginning of each theme is the end of the previous theme, and the end of the last theme is the beginning of the first, making the album into multiple loops or a single large loop.

Evilásio Plays:

Sax (Tenor and Soprano)
Trombone and Trumpet
Brazilian Percussion
Hibrid Drum
Megaphone
Keyboard
Berimbal
Guitar
Bass

In short, this is what I can say about this work. The difficulty in talking about my creation made me ask for the opinion of a friend who accompanied the performance. Here is the opinion of my Polish friend:

“Traditionally coming from the direct relationship of music by organic instruments and physical timbres, Evilásio throws himself into the unknown, camouflaging himself. When recording within his own home, the author plays in leisure and comfort. The possibilities of the new technologies of timbres and beats and what else you hear in this work, reflects the moment of the author's life, as well as his ability to adapt to modernity like a real chameleon. Nuances that make you see colors and varied sensations through its timbres and beats in a punctual robe with what he grabbed at the moment. "Camuflagem" can be a subtle infinite looping suggested by the artist, according to the perceptiveness and intelligence of the listener, or even the catapult that throws you into an instigating plot action scene or even a stroll through some indigenous kaingang reservation, a Umbanda ritual or urban center where you hurriedly walk, leaving most of the beautiful details where you went, camouflaged in your head, to remember later.”

Macowski, Maringá-PR, Brazil, 03 November 2020

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MuteAnt Sounds (netlabel) is entering our 8TH year of distributing, sharing, posting and releasing the world’s finest experimental, noise, free jazz, no-fi ambient space jazz free form sound ever recorded.

Started as a tape trading label in the 90's, website in the 2000's, Full blown netlabel in the 2010's.
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